Visual identity developed for the textile brand Vivant. In her Lausanne-based workshop, Jeanne Le Baron crafts pieces for which she also processes the natural dyes. The collections currently include bags, aprons, as well as various textiles for tableware. Channeling Jeanne’s process of thrifting textiles and transferring color, the logo was created using vintage Letraset transfer sheets.
Logotype
Business card and care instructions
Flyer
Visual identity developed for the textile brand Vivant. In her Lausanne-based workshop, Jeanne Le Baron crafts pieces for which she also processes the natural dyes. The collections currently include bags, aprons, as well as various textiles for tableware. Channeling Jeanne’s process of thrifting textiles and transferring color, the logo was created using vintage Letraset transfer sheets.
Logotype
Business card and care instructions
Flyer
Visual identity developed for the textile brand Vivant. In her Lausanne-based workshop, Jeanne Le Baron crafts pieces for which she also processes the natural dyes. The collections currently include bags, aprons, as well as various textiles for tableware. Channeling Jeanne’s process of thrifting textiles and transferring color, the logo was created using vintage Letraset transfer sheets.
Logotype
Business card and care instructions
Flyer
Visual identity developed for the textile brand Vivant. In her Lausanne-based workshop, Jeanne Le Baron crafts pieces for which she also processes the natural dyes. The collections currently include bags, aprons, as well as various textiles for tableware. Channeling Jeanne’s process of thrifting textiles and transferring color, the logo was created using vintage Letraset transfer sheets.
Logotype
Business card and care instructions
Flyer
Monthly poster for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, digital and silkscreen print
Typeface: Alpha by Omnitype
Print: Duo d’Art
Monthly poster for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, digital and silkscreen print
Typeface: Alpha by Omnitype
Print: Duo d’Art
Monthly poster for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, digital and silkscreen print
Typeface: Alpha by Omnitype
Rotation effect: Bertan Suris
Print: Duo d’Art
Monthly poster for RKC, Rocking Chair Club in Vevey. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, digital and silkscreen print
Typeface: Alpha by Omnitype
Print: Uldry
When he moved to the french capital to pursue a professional career in photography, Younès Klouche started to photograph the larger area of the city as a means to document an important period from his life. Eventually this body of image grew to be a stand alone project called Panamera.
The territory of Paris is under an active process of growing out of its old frontiers which are still delimited by an aging controlled-access ring road. Tied by a series of futuristic public transportation lines, this global project called “Le Grand Paris” aims for a new colossal and fully functioning Metropol. This form of city planning goes hand in hand with both gentrification and the emptying of former industrial areas. Behind this promise of a utopian urbanist ecosystem lies a neoliberalist ideology that targets real estate value. Klouche’s work Panamera shows the different layers of built being a consequence of successional architectural movements. Including perfectly restored early modernist superstructures as well as ruins of late postmodernist skyscrapers.
More: younesklouche.com
Editing: Younès Klouche, Benjamin Diguerher
Text: Alexander Strecker
Layout and typesetting: Chloé Pannatier
Typeface: Antique Legacy
Photography: Younès Klouche
Published by: Poursuite
Printing: Kopa
ISBN 978-2-490140-44-2
When he moved to the french capital to pursue a professional career in photography, Younès Klouche started to photograph the larger area of the city as a means to document an important period from his life. Eventually this body of image grew to be a stand alone project called Panamera.
The territory of Paris is under an active process of growing out of its old frontiers which are still delimited by an aging controlled-access ring road. Tied by a series of futuristic public transportation lines, this global project called “Le Grand Paris” aims for a new colossal and fully functioning Metropol. This form of city planning goes hand in hand with both gentrification and the emptying of former industrial areas. Behind this promise of a utopian urbanist ecosystem lies a neoliberalist ideology that targets real estate value. Klouche’s work Panamera shows the different layers of built being a consequence of successional architectural movements. Including perfectly restored early modernist superstructures as well as ruins of late postmodernist skyscrapers.
More: younesklouche.com
Editing: Younès Klouche, Benjamin Diguerher
Text: Alexander Strecker
Layout and typesetting: Chloé Pannatier
Font: Antique Legacy
Photography: Younès Klouche
Published by: Poursuite
Printing: Kopa
ISBN 978-2-490140-44-2
When he moved to the french capital to pursue a professional career in photography, Younès Klouche started to photograph the larger area of the city as a means to document an important period from his life. Eventually this body of image grew to be a stand alone project called Panamera.
The territory of Paris is under an active process of growing out of its old frontiers which are still delimited by an aging controlled-access ring road. Tied by a series of futuristic public transportation lines, this global project called “Le Grand Paris” aims for a new colossal and fully functioning Metropol. This form of city planning goes hand in hand with both gentrification and the emptying of former industrial areas. Behind this promise of a utopian urbanist ecosystem lies a neoliberalist ideology that targets real estate value. Klouche’s work Panamera shows the different layers of built being a consequence of successional architectural movements. Including perfectly restored early modernist superstructures as well as ruins of late postmodernist skyscrapers.
More: younesklouche.com
Editing: Younès Klouche, Benjamin Diguerher
Text: Alexander Strecker
Layout and typesetting: Chloé Pannatier
Typeface: Antique Legacy
Photography: Younès Klouche
Published by: Poursuite
Printing: Kopa
ISBN 978-2-490140-44-2
Monthly poster for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, digital print
Typeface: Alpha by Omnitype
Print: Uldry
Monthly poster for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, digital print
Typeface: Alpha by Omnitype
Print: Uldry
Monthly poster for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, digital print
Typeface: Alpha by Omnitype
Print: Uldry
Monthly postcard for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
A6 card, cmyk print
Typeface: Alpha by Omnitype
Monthly poster for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, digital and silkscreen print
Typeface: Alpha by Omnitype
Print: Duo d’Art
Sticker
Typeface: Alpha by Omnitype
Print: Sticker Yeti
Monthly postcard for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
A6 card, cmyk print
Typeface: Alpha by Omnitype
Monthly postcard for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
A6 card, cmyk print
Typeface: Alpha by Omnitype
Print: Uldry
Monthly poster for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, digital and silkscreen print
Typeface: Alpha by Omnitype
Print: Duo d’Art
Monthly postcard for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
A6 card, cmyk print
Typeface: Alpha by Omnitype
Print: Uldry
Monthly poster for RKC, Rocking Chair Club. The idea behind this series and the whole identity is to create posters in a similar way to how a musician creates music – by using the production method of sampling, but with visual elements. Damaged street posters are first sampled, then processed, and reassembled into a new composition, in a loud and joyful manner.
F4 poster, cmyk print
Typeface: Alpha by Omnitype
Print: Uldry
Having evolved and expanded over the years, formerly known Bureau Brisson transformed into Rocades Architectes in 2023. This shift was accompanied by a new identity and a bold logotype inspired by handmade letter drawings, balancing a contemporary, playful typographic approach with a visually structured, technically driven graphic system. Rocades highlights what already exists and gives new roles to spaces.
Logotype in collaboration with type and graphic designer Nolan Paparelli
Having evolved and expanded over the years, formerly known Bureau Brisson transformed into Rocades Architectes in 2023. This shift was accompanied by a new identity and a bold logotype inspired by handmade letter drawings, balancing a contemporary, playful typographic approach with a visually structured, technically driven graphic system. Rocades highlights what already exists and gives new roles to spaces.
Logotype in collaboration with type and graphic designer Nolan Paparelli
Business cards and stickers
Print: Groux
Typeface: Alpha by Omnitype
Having evolved and expanded over the years, formerly known Bureau Brisson transformed into Rocades Architectes in 2023. This shift was accompanied by a new identity and a bold logotype inspired by handmade letter drawings, balancing a contemporary, playful typographic approach with a visually structured, technically driven graphic system. Rocades highlights what already exists and gives new roles to spaces.
Logotype in collaboration with type and graphic designer Nolan Paparelli
Portfolio, multi-purpose folder, stickers
Print: Polygravia (folder), office laser (portfolio and stickers)
Typeface: Alpha by Omnitype
Having evolved and expanded over the years, formerly known Bureau Brisson transformed into Rocades Architectes in 2023. This shift was accompanied by a new identity and a bold logotype inspired by handmade letter drawings, balancing a contemporary, playful typographic approach with a visually structured, technically driven graphic system. Rocades highlights what already exists and gives new roles to spaces.
Logotype in collaboration with type and graphic designer Nolan Paparelli
Portfolio and multi-purpose folder
Print: Polygravia (folder), office laser (portfolio)
Typeface: Alpha by Omnitype
Having evolved and expanded over the years, formerly known Bureau Brisson transformed into Rocades Architectes in 2023. This shift was accompanied by a new identity and a bold logotype inspired by handmade letter drawings, balancing a contemporary, playful typographic approach with a visually structured, technically driven graphic system. Rocades highlights what already exists and gives new roles to spaces.
Logotype in collaboration with type and graphic designer Nolan Paparelli
Portfolio and multi-purpose folder
Print: Polygravia (folder), office laser (portfolio)
Typeface: Alpha by Omnitype
Having evolved and expanded over the years, formerly known Bureau Brisson transformed into Rocades Architectes in 2023. This shift was accompanied by a new identity and a bold logotype inspired by handmade letter drawings, balancing a contemporary, playful typographic approach with a visually structured, technically driven graphic system. Rocades highlights what already exists and gives new roles to spaces.
Logotype in collaboration with type and graphic designer Nolan Paparelli
Template
Typeface: Alpha by Omnitype
Having evolved and expanded over the years, formerly known Bureau Brisson transformed into Rocades Architectes in 2023. This shift was accompanied by a new identity and a bold logotype inspired by handmade letter drawings, balancing a contemporary, playful typographic approach with a visually structured, technically driven graphic system. Rocades highlights what already exists and gives new roles to spaces.
Logotype in collaboration with type and graphic designer Nolan Paparelli
Business card
Print: Groux
Typeface: Alpha by Omnitype
Poster for RKC’s recurring “Drift” parties.
A2 poster, cmyk print
Typeface: Alpha by Omnitype
Print: uldry.ch
Mockup: Bendito
Poster for RKC’s recurring “Drift” parties.
A2 poster, cmyk print
Typeface: Alpha by Omnitype
Print: uldry.ch
This poster is a rework of samples of ripped-off F4 posters captured in the streets as material for RKC–Rocking Chair’s identity. Created for Uldry, one of Switzerland’s historic poster printing companies, it was designed as part of their 60th anniversary exhibition. The samples showcase works by other participants in the exhibition.
F4 poster, cmyk print
Exhibited at the Kornhausforum and in the streets of Bern
Part of a publication
Part of INTL poster competition and exhibition
This poster is a rework of samples of ripped-off F4 posters captured in the streets as material for RKC–Rocking Chair’s identity. Created for Uldry, one of Switzerland’s historic poster printing companies, it was designed as part of their 60th anniversary exhibition. The samples showcase works by other participants in the exhibition.
F4 poster, cmyk print
Exhibited at the Kornhausforum and in the streets of Bern
Part of a publication
Part of INTL poster competition and exhibition
Series of artworks for Domaine du Chambet’s natural wine labels.
Series of artworks for Domaine du Chambet’s natural wine labels.
Series of artworks for Domaine du Chambet’s natural wine labels.
The 23/24 season for Le Port Franc music club Sion further develops the identity built around color blocks that evoke the venue’s modular construction with shipping containers. A raw finish is achieved through experimentation with cheap printers used for producing both images and text.
F12 poster, digital print
Typeface: Nuckle by Heavyweight
Each season at Le Port Franc kicks off with a Vinyl Fair, visitors receive a tote bag featuring the season’s poster at the entrance. Since the first edition in 2017, I’ve been playing with overly long combinations of music genres that swirl into a spiral, evoking spinning records.
F4 poster, cmyk print
Typeface: Nuckle by Heavyweight
Printed by Gessler
Each season at Le Port Franc kicks off with a Vinyl Fair, visitors receive a tote bag featuring the season’s poster at the entrance. Since the first edition in 2017, I’ve been playing with overly long combinations of music genres that swirl into a spiral, evoking spinning records.
Totebag, silkscreen printed by Le Singe Vert
Typeface: Nuckle by Heavyweight
Logotype for the sound room and record store Le Salon, with display letters constructed from a vinyl-shaped module. The micro-identity also includes templates for events at the shop.
Pictures by Samuel Badoux
Logotype for the sound room and record store Le Salon, with display letters constructed from a vinyl-shaped module. The micro-identity also includes templates for events at the shop.
Pictures by Samuel Badoux
The identity for CDH–Collège des Humanités was created within EPFL’s guidelines, designed to function as a culturally-focused extension of the parent brand.
A3 poster
A6 brochure
Typeface: Suisse Int’l and Suisse Neue by Swiss Typefaces
The identity for CDH–Collège des Humanités was created within EPFL’s guidelines, designed to function as a culturally-focused extension of the parent brand.
A3 poster
A6 brochure
Typeface: Suisse Int’l and Suisse Neue by Swiss Typefaces
The identity for CDH–Collège des Humanités was created within EPFL’s guidelines, designed to function as a culturally-focused extension of the parent brand.
A3 poster
A6 brochure
Typeface: Suisse Int’l and Suisse Neue by Swiss Typefaces
The identity for CDH–Collège des Humanités was created within EPFL’s guidelines, designed to function as a culturally-focused extension of the parent brand.
A3 poster
A6 brochure
Typeface: Suisse Int’l and Suisse Neue by Swiss Typefaces
Artwork for L’Eclair’s Confusions album, the project offers a synthaesia experience through a painting. Timeless Swiss groove.
Gatefold
Singles artworks
Tour poster
Typeface: Alpha by Omnitype
Artwork for L’Eclair’s Confusions album, the project offers a synthaesia experience through a painting. Timeless Swiss groove.
Gatefold
Singles artworks
Tour poster
Typeface: Alpha by Omnitype
Images of recording sessions at Le Gâtillon: Lara Demonsais and Chloé Pannatier
Artwork for L’Eclair’s Confusions album, the project offers a synthaesia experience through a painting. Timeless Swiss groove.
Gatefold
Singles artworks
Tour posters
Typeface: Alpha by Omnitype
Images of recording sessions at Le Gâtillon: Lara Demonsais and Chloé Pannatier
Merchandising for Swiss band L’Eclair, t-shirts and sweatshirts available in different combinations of colors and logos.
Screenprinted with two colors by Les Belges de Corsinge
Merchandising for Swiss band L’Eclair, t-shirts and sweatshirts available in different combinations of colors and logos.
Screenprinted with two colors by Les Belges de Corsinge
Identity for the Geneva-based label Les Disques Magnétiques, a sub-label of Bongo Joe, with the creation of a logo and a generic vinyl sleeve for future releases. The project continues with artwork for Il Sogno di Carmen by Pascal Viscardi and Il Duo Magnetico, accompanied by a video to be viewed here.
Logo, generic vinyl sleeve
Artwork and sticker
Music video
Photo: Younès Klouche
Identity for the Geneva-based label Les Disques Magnétiques, a sub-label of Bongo Joe, with the creation of a logo and a generic vinyl sleeve for future releases. The project continues with artwork for Il Sogno di Carmen by Pascal Viscardi and Il Duo Magnetico, accompanied by a video to be viewed here.
Logo, generic vinyl sleeve
Artwork and sticker
Music video
Photo: Younès Klouche
Identity for the Geneva-based label Les Disques Magnétiques, a sub-label of Bongo Joe, with the creation of a logo and a generic vinyl sleeve for future releases. The project continues with artwork for Il Sogno di Carmen by Pascal Viscardi and Il Duo Magnetico, accompanied by a video to be viewed here.
Logo, generic vinyl sleeve
Artwork and sticker
Music video
Photo: Younès Klouche
Various vinyl covers for Bongo Joe Records, Flightless Records and Les Disques Magnétiques
Artwork for Perrine 3000, Hyper in. The artwork was also silkscreen printed on grey paper in various combinations next to the EP.
Prints by Sami&co
These 25 artworks were created to illustrate L’Eclair’s selecta playlists, with a general cover for the whole series.
Typeface: TO Process
These 25 artworks were created to illustrate L’Eclair’s selecta playlists, with a general cover for the whole series.
Typeface: TO Process
Poster and flyer for Rudy Decelière’s solo show L’accalmie des paradoxes. The project works within the system developed for La Ferme-Asile.
F4 and A3 posters
A6 flyer
Typeface: custom by Tancrède Ottiger
Poster and flyer for Rudy Decelière’s solo show L’accalmie des paradoxes. The project works within the system developed for La Ferme-Asile.
F4 and A3 posters
A6 flyer
Typeface: custom by Tancrède Ottiger
Poster and flyer for Sandrine Pelletier’s solo show Cascades. The project works within the system developed for La Ferme-Asile.
F4 and A3 posters
A6 flyer on one-sided cardboard
Typeface: custom by Tancrède Ottiger
Poster and flyer for Sandrine Pelletier’s solo show Cascades. The project works within the system developed for La Ferme-Asile.
F4 and A3 posters
A6 flyer on one-sided cardboard
Typeface: custom by Tancrède Ottiger
Design for Don Melody Club’s album Pure Donzin, out on Bongo Joe Records
Design for Don Melody Club’s album Pure Donzin, out on Bongo Joe Records